No, but seriously. We really, really do.
That’s the funny thing about horror. There are those who don’t get it, and they see women constantly in peril – and presume that others who work in the industry must be misogynist pigs. It may be the case occasionally, of course. But it’s not the norm – and heck many y-chrome directors consider themselves feminists.
Eli Roth is among them. #fact
Don’t worry, I won’t go into a fem diatribe about how Hostel II is one of the most feminist films ever made. Yet. But he is a strong feminist, as his films often resonate the most with us. He understands some of our worst fears (ask any woman you know about Cabin Fever). He knows what makes us laugh (see: Piranha) and also sympathizes with how we are most often portrayed and tweaks it mightily (exhibit everything: highly misunderstood Hostel II). Even his worst female characters have depth – and that’s a big damn deal in horror. Heck, the man happily admits that most Bear Jew costumes are worn by women. True Story! Even better? He gets what turns us on – ask any woman you know about that scene in Hostel II. Go on. They’ll know the one, trust me. Woooo, that scene!
Sorry. I needed a moment. *whew*
He also loves animals.
He has freakin’ brilliant and adorable parents (yes, bitches follow @EliRoth on Twitter too). He’s respected by his peers and those who work with him – and everyone wants to work with him. And last but not least, all interviews and media, he presents himself as an intelligent, thoughtful, caring, and well-educated horror geek.
What’s not to love? Have I left anything out? I feel like I’m not mentioning something that’s just so damn obvious. Well, whatever it is – it must not be that important. I’ll just be grateful he’s around making movies that I can’t get enough of, teaming with other genius talents, and being the most kickass famous horror geek in the world.
















